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Dieu-bleu.com
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Opera
/ Maxime Dethomas(1867-1929)Projet de costume pour l'Opéra.
Maxime Dethomas(1867-1929) Costume project for the Opera.Gouache on paper.46 x33 cm.Toulouse-Lautrec teached Dethomas, what Dethomas kept from this teaching is probably more the acute way to look at life than anything else. Between 1910 and 1912, at the Théâtre des Arts , Jacques Rouché joined together the more remarkable colaboration of paintors, musicians and dramatic authors. That was a wonderfull demonstration of the possibility we had to set ourselves in scene in our land, this was possible in getting our flavours with method, in exalting our personality, all dramatic genres. The Rusian Ballets realized the fusion of plastic and rythmic arts thanks to a narrow collaboration of the musician and the paintor; The Théâtre des Arts widened the formula and proved it was possible to produce the same suggestion power to a comedy or a tragedy with this formula.Dethomas's work is singular because of his constant research of sobriety. Dethomas joined for the first time the close union of decor and costumes with the Carnaval des enfants, which was the first part of the Théâtre des Arts's shows, directed by Jacques Rouché. Dethomas's masterpiece was, without any doubt, Les frères Karamazov, adapted by Jacques Copeau who succeed in expressing the tragic of this masterpiece in taking to extremes the decor nudity.Maxime Dethomas worked for the 'Opéra, the Théâtre des Arts , the Comédie française and the Opéra comique. His works were exposed at the Musée d'Orsay in 2005.
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